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Sussex Playwrights
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Normal service will be resumed as soon as possible –
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Sussex Playwrights
Welcome to Sussex Playwrights
(Sussex just happens to be where we started, in 1935)
For writers, producers, directors, actors and anyone with a passion for plays
We promote new writing for stage, screen, radio, audio and on-line.
Our purpose is to encourage new work from writers throughout the English speaking world.
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Contact Sussex Playwrights
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Upload Short Scripts
PROJECT NOTES…
Two to three pages (minimum 2 maximum 3) in standard play format.
Three to five actors (roughly equal lines for each)
No stage direction (unless important to the plot)
Subjects – any situation or setting but keep it pre-watershed
(no politics or religion or controversy of any kind)
We’ve covered just about every genre in the past, from murder mystery, SF, police, supernatural, historical and pretty much everything in between.
Tone:
Creative, Funny, Mysterious , Ironic or any combination.
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Sussex Playwrights Reviews: Who Do They Think They Are?
Written by Liz Tait
Liz Tait Productions
Time passes. The girls we were become the women we are, sisters and friends, and sometimes not such good friends. All those unreliable hopes and memories.
But can we ever really recapture those days, and is it wise to pile so much expectation onto a reunion?
Well, there’s a lot riding on a fun dance class designed to recapture those happy 90s times, when girl power ruled.
We’re in a shabby dance studio and a soft opening works well as Marion bustles about, building a sense of chirpy anticipation that something fun’s about to kick off. Kate Peltzer-Dunn’s kindly benevolence just wanting everything to be as it was is a charming, quirky and childlike presence.
One by one, the rest of the foursome arrive, a little hesitant, maybe reluctant, resolute – each motivation subtly revealed.
Each has gone through her own trials, dealing with whatever life chucked their way through relationships, bereavement, motherhood and menopause. Their stories spin out through conversations, revelations and humour, as we focus on each player in turn.
As hyped up dance teacher Pippa, dedicated to keeping things just so, Helen Rogers delivers a tightly wound self discipline teetering on the edge of unravelling, as what lies beneath starts to tell…
Sally Best’s Sarah is wrong footed and wrestling with her own life and that ‘what’s happening to me??’ deep dive.
Sophie Dearlove’s cool and confident Kim gradually reveals the truth beneath the nonchalant exterior.
Tait’s detailed, compassionately observed writing shines in this warm, wise four-hander, performed with energy and verve.
The title speaks of women navigating the complexities of friendships, sisterhood, motherhood, daughterhood and relationships, asking who are we – now?
The crystal clear dialogue, larger than life characters and physical exuberance are well suited to the generous space here in Shoreham.
While perhaps the blend of interscene blackouts and musical stings could be further refined as the run continues, this is a tight and snappily directed slice of fun with so much going on under the makeup and the lycra, and some joyful dance numbers whisking it all along.
Loved the clever build of costume throughout the show until the finale we want – and the Spice Girls are in the room. In the end, whatever life throws on the way, sometimes you can just let it all go, and dance.
The run begins with performances at Shoreham Community Centre then transfers to The Actors Brighton 26/27 September, then 4th October at the Victoria Institute, Arundel.
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Meeting April 7th 2024
A table reading from A Smuggler’s Song, Charlie Sharp’s work in progress on the Hawkhurst south coast smuggling gang, with group discussion and feedback.
Paul Levy on Rational Madness Theatre, Fringe Review – and the Kansas Missouri arts festival, where he, Robert, Jenny and Ross took their solo shows.
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Meeting March 2024
Philippa and John Dutton read Unfriend Me, You Fiend, a comedy of modern manners by Callum Murray, followed by discussion with Callum on his full length and short plays plus the business of applying for funding, paying Equity rates and approaching venues.
Amanda discussed how finding Sussex Playwrights and the First Five Pages help her progress her film script, The Shadows We Cast – we read and discussed the first ten pages.
Louise with latest news of her BBC radio sitcom.
Thomas discussed the use and effect of diagetic music in film / theatre (ie music that is actually present within the scene such as a guitarist on stage, v mood music played over the action etc).
And conversation about the Inciting Incident as a tool for writers.
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Meeting February 2024
With no January meeting, we eased into 2024 with general members’ and visitors’ discussion on projects, news and current activity, with writing plans for spring.
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Meeting December 3rd 2023 Christmas party
Conversation included:
Louise Taylor’s news of her ‘awkward sex coach’ sitcom in development for BBC radio
Discussion round AI in music, drama, art etc – is it a worry or is it intriguing? A valuable tool / opportunity, or will it take opportunity away from creators?
Brighton Fringe applications and early bird deadline, Brighton Actors Networking Group meetup and actor friend Ross Gurney Randall’s appearance in Doctor Who
Thomas presented The Shakespeare Quiz
Amanda’s monologue Scrooge read by Simon Jenner, a 21st century take on A Christmas Carol and the spirit of Boxing Day.