• Sussex Playwrights

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  • Sussex Playwrights

    Welcome to Sussex Playwrights

    (Sussex just happens to be where we started, in 1935)

    For writers, producers, directors, actors and anyone with a passion for plays

    We promote new writing for stage, screen, radio, audio and on-line.
    Our purpose is to encourage new work from writers throughout the English speaking world.

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    • Sussex Playwrights Reviews: Who Do They Think They Are?

      Written by Liz Tait
      Liz Tait Productions

      Time passes. The girls we were become the women we are, sisters and friends, and sometimes not such good friends. All those unreliable hopes and memories.

      But can we ever really recapture those days, and is it wise to pile so much expectation onto a reunion?

      Well, there’s a lot riding on a fun dance class designed to recapture those happy 90s times, when girl power ruled.

      We’re in a shabby dance studio and a soft opening works well as Marion bustles about, building a sense of chirpy anticipation that something fun’s about to kick off. Kate Peltzer-Dunn’s kindly benevolence just wanting everything to be as it was is a charming, quirky and childlike presence.

      One by one, the rest of the foursome arrive, a little hesitant, maybe reluctant, resolute – each motivation subtly revealed.

      Each has gone through her own trials, dealing with whatever life chucked their way through relationships, bereavement, motherhood and menopause. Their stories spin out through conversations, revelations and humour, as we focus on each player in turn.

      As hyped up dance teacher Pippa, dedicated to keeping things just so, Helen Rogers delivers a tightly wound self discipline teetering on the edge of unravelling, as what lies beneath starts to tell…

      Sally Best’s Sarah is wrong footed and wrestling with her own life and that ‘what’s happening to me??’ deep dive.

      Sophie Dearlove’s cool and confident Kim gradually reveals the truth beneath the nonchalant exterior.

      Tait’s detailed, compassionately observed writing shines in this warm, wise four-hander, performed with energy and verve.

      The title speaks of women navigating the complexities of friendships, sisterhood, motherhood, daughterhood and relationships, asking who are we – now?

      The crystal clear dialogue, larger than life characters and physical exuberance are well suited to the generous space here in Shoreham.

      While perhaps the blend of interscene blackouts and musical stings could be further refined as the run continues, this is a tight and snappily directed slice of fun with so much going on under the makeup and the lycra, and some joyful dance numbers whisking it all along.

      Loved the clever build of costume throughout the show until the finale we want – and the Spice Girls are in the room. In the end, whatever life throws on the way, sometimes you can just let it all go, and dance.

      The run begins with performances at Shoreham Community Centre then transfers to The Actors Brighton 26/27 September, then 4th October at the Victoria Institute, Arundel.
    • Meeting April 7th 2024

      A table reading from A Smuggler’s Song, Charlie Sharp’s work in progress on the Hawkhurst south coast smuggling gang, with group discussion and feedback.

      Paul Levy on Rational Madness Theatre, Fringe Review – and the Kansas Missouri arts festival, where he, Robert, Jenny and Ross took their solo shows.
    • Meeting March 2024

      Philippa and John Dutton read Unfriend Me, You Fiend, a comedy of modern manners by Callum Murray, followed by discussion with Callum on his full length and short plays plus the business of applying for funding, paying Equity rates and approaching venues.

      Amanda discussed how finding Sussex Playwrights and the First Five Pages help her progress her film script, The Shadows We Cast – we read and discussed the first ten pages.

      Louise with latest news of her BBC radio sitcom.

      Thomas discussed the use and effect of diagetic music in film / theatre (ie music that is actually present within the scene such as a guitarist on stage, v mood music played over the action etc).

      And conversation about the Inciting Incident as a tool for writers.
    • Meeting February 2024

      With no January meeting, we eased into 2024 with general members’ and visitors’ discussion on projects, news and current activity, with writing plans for spring.
    • Meeting December 3rd 2023 Christmas party

      Conversation included:

      Louise Taylor’s news of her ‘awkward sex coach’ sitcom in development for BBC radio

      Discussion round AI in music, drama, art etc – is it a worry or is it intriguing? A valuable tool / opportunity, or will it take opportunity away from creators?

      Brighton Fringe applications and early bird deadline, Brighton Actors Networking Group meetup and actor friend Ross Gurney Randall’s appearance in Doctor Who

      Thomas presented The Shakespeare Quiz

      Amanda’s monologue Scrooge read by Simon Jenner, a 21st century take on A Christmas Carol and the spirit of Boxing Day.
    • Meeting October / November 23rd 2023

      The award-winning screenwriter and Brighton & Hove resident James Payne was our special guest for a set of two First Five Pages events over the autumn meetings.

      Members and visitors were invited to bring the first five pages of their scripts for a round table reading, group discussion then industry insights and guidance from James on their scripts’ impact and possible development.

      Scripts included:

      Love’s Poison by Elyse, adapted from the book chronicling Wayne Liversedge’s personal experience.

      Steven’s Art of Revenge, an animated tale of a Maine Coon Cat.

      Phil Tong’s Nails and Me.

      Amanda Horlington’s The Shadows We Cast.

      Discussing character, plot, dialogue, flow, whether the script captures and keeps attention – and crucially, whether the reader will be sparked into reading on.

      Because if you haven’t captured them by then, they’re unlikely to continue reading … and will move on to the next one on the pile.

      Discussion around the BBC Writers’ Room.

      Our thanks to James for being our guest, making space for new, developing and established writers and sharing valuable insights, support and encouragement.